This is a multifandom blog.
Currently reading "Wicked".
Currently watching "Firefly".|
Tom Hiddleston by Jason Hetherington
I want to watch him play the guitar.
Rest in Peace, Robin Williams.
July 21st, 1951 - August 11th, 2014
Thank you for bringing joy into my childhood and life with your voice and acting. Thank you for your contagious jokes, your wacky impersonations, and amazing acting. Thank you for making my childhood experience better, and thank you for bringing joy to those even though you battled with your own joy. If only you could have known how much you’ve impacted people. Your life work will live on, and you will never be forgotten. I know I won’t forget you. Thank you for helping me whenever I felt sad and having a film for every mood. Gone, but never forgotten.
Visually stunning movies –Harry Potter and the Half-Blood Prince
Cinematography by Bruno Delbonnel
Fun Fact: Quiet people are aware that they are quiet. They don’t need you to point it out to them. They know. Please stop.
According to “Joss Whedon: The Biography,” in stores August 1, Hiddleston, who plays antihero Loki in the film, wrote Whedon a heartfelt email after reading Whedon’s draft for the first time.
We’ve published Hiddleston’s letter in full along with Whedon’s response with permission from Chicago Review Press below.
I am so excited I can hardly speak.
The first time I read it I grabbed at it like Charlie Bucket snatching for a golden ticket somewhere behind the chocolate in the wrapper of a Wonka Bar. I didn’t know where to start. Like a classic actor I jumped in looking for LOKI on every page, jumping back and forth, reading words in no particular order, utterances imprinting themselves like flash-cuts of newspaper headlines in my mind: “real menace”; “field of obeisance”; “discontented, nothing is enough”; “his smile is nothing but a glimpse of his skull“; “Puny god” …
… Thank you for writing me my Hans Gruber. But a Hans Gruber with super-magic powers. As played by James Mason … It’s high operatic villainy alongside detached throwaway tongue-in-cheek; plus the “real menace” and his closely guarded suitcase of pain. It’s grand and epic and majestic and poetic and lyrical and wicked and rich and badass and might possibly be the most gloriously fun part I’ve ever stared down the barrel of playing. It is just so juicy.
I love how throughout you continue to put Loki on some kind of pedestal of regal magnificence and then consistently tear him down. He gets battered, punched, blasted, side-swiped, roared at, sent tumbling on his back, and every time he gets back up smiling, wickedly, never for a second losing his eloquence, style, wit, self-aggrandisement or grandeur, and you never send him up or deny him his real intelligence…. That he loves to make an entrance; that he has a taste for the grand gesture, the big speech, the spectacle. I might be biased, but I do feel as though you have written me the coolest part.
… But really I’m just sending you a transatlantic shout-out and fist-bump, things that traditionally British actors probably don’t do. It’s epic.
Whedon wrote back with a simplistic response:
Tom, this is one of those emails you keep forever. Thanks so much. It’s more articulate (and possibly longer) than the script. I couldn’t be more pleased at your reaction, but I’ll also tell you I’m still working on it … Thank you again. I’m so glad you’re pleased. Absurd fun to ensue.
Best, (including uncharacteristic fist bump), joss.
Visually stunning movies –Atonement
Cinematography by Seamus McGarvey